Soneto IX by Pablo Neruda
Al golpe de la ola contra la piedra indócil
la claridad estalla y establece su rosa
y el círculo del mar se reduce a un racimo,
a una sola gota de sal azul que cae.
Oh radiante magnolia desatada en la espuma,
magnética viajera cuya muerte florece
y eternamente vuelve a ser y a no ser nada:
sal rota, deslumbrante movimiento marino.
Juntos tú y yo, amor mío, sellamos el silencio,
mientras destruye el mar sus constantes estatuas
y derrumba sus torres de arrebato y blancura,
porque en la trama de estos tejidos invisibles
del agua desbocada, de la incesante arena,
sostenemos la única y acosada ternura.
Sonnet IX
Translation by Stephen Tapscott
There where the waves shatter on the restless rocks
the clear light bursts and enacts its rose,
and the sea-circle shrinks to a cluster of buds,
to one drop of blue salt, falling.
O bright magnolia bursting in the foam,
magnetic transient whose death blooms
and vanishes--being, nothingness--forever:
broken salt, dazzling lurch of the sea.
You & I, Love, together we ratify the silence,
while the sea destroys its perpetual statues,
collapses its towers of wild speed and whiteness:
because in the weavings of those invisible fabrics,
galloping water, incessant sand,
we make the only permanent tenderness.
-----
Links:
I Wept Not - Chapter 24
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Showing posts with label I Wept Not. Show all posts
Showing posts with label I Wept Not. Show all posts
Monday, January 24, 2011
Wednesday, January 12, 2011
Chapter 23 - The Frirst Beheading of the Jasmine
Pillow by Li-Young Lee
There's nothing I can't find under there.
Voices in the trees, the missing pages
of the sea.
Everything but sleep.
And night is a river bridging
the speaking and listening banks,
a fortress, undefended and inviolate.
There's nothing that won't fit under it:
fountains clogged with mud and leaves,
the houses of my childhood.
And night begins when my mother's fingers
let go of the thread
they've been tying and untying
to touch toward our fraying story's hem.
Night is the shadow of my father's hands
setting the clock for resurrection.
Or is it the clock unraveled, the numbers flown?
There's nothing that hasn't found home there:
discarded wings, lost shoes, a broken alphabet.
Everything but sleep. And night begins
with the first beheading
of the jasmine, its captive fragrance
rid at last of burial clothes.
-----
Links:
I Wept Not - Chapter 23
Li-Young Lee - Wikipedia
An Interview with Li-Young Lee by Carolyn Alterio
Songwriters on Process - Li-Young Lee, Poet
Blue Flower Arts - Li-Young Lee
-----
There's nothing I can't find under there.
Voices in the trees, the missing pages
of the sea.
Everything but sleep.
And night is a river bridging
the speaking and listening banks,
a fortress, undefended and inviolate.
There's nothing that won't fit under it:
fountains clogged with mud and leaves,
the houses of my childhood.
And night begins when my mother's fingers
let go of the thread
they've been tying and untying
to touch toward our fraying story's hem.
Night is the shadow of my father's hands
setting the clock for resurrection.
Or is it the clock unraveled, the numbers flown?
There's nothing that hasn't found home there:
discarded wings, lost shoes, a broken alphabet.
Everything but sleep. And night begins
with the first beheading
of the jasmine, its captive fragrance
rid at last of burial clothes.
-----
Links:
I Wept Not - Chapter 23
Li-Young Lee - Wikipedia
An Interview with Li-Young Lee by Carolyn Alterio
Songwriters on Process - Li-Young Lee, Poet
Blue Flower Arts - Li-Young Lee
-----
Monday, December 6, 2010
Chapter 22 - The Sacred Moments
Flame-Heart by Claude McKay
So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.
What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.
-----
Links:
I Wept Not - Chapter 22
Claude McKay: Jamaica's Poet Laureate 1890 - 1948
Claude McKay's Life - Modern American Poetry
Claude McKay - aalbc.com
Claude McKay - Wikipedia
-----
So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten--strange--but quite remember
The poinsettia's red, blood-red in warm December.
What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days,
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart's shade.
We were so happy, happy, I remember,
Beneath the poinsettia's red in warm December.
-----
Links:
I Wept Not - Chapter 22
Claude McKay: Jamaica's Poet Laureate 1890 - 1948
Claude McKay's Life - Modern American Poetry
Claude McKay - aalbc.com
Claude McKay - Wikipedia
-----
Sunday, November 14, 2010
Chapter 21 - Turn to the Open Sea
Security by William Stafford
Tomorrow will have an island. Before night
I always find it. Then on to the next island.
These places hidden in the day separate
and come forward if you beckon.
But you have to know they are there before they exist.
Some time there will be a tomorrow without any island.
So far, I haven't let that happen, but after
I'm gone others may become faithless and careless.
Before them will tumble the wide unbroken sea,
and without any hope they will stare at the horizon.
So to you, Friend, I confide my secret:
to be a discoverer you hold close whatever
you find, and after a while you decide
what it is. Then, secure in where you have been,
you turn to the open sea and let go.
-----
Links:
I Wept Not - Chapter 21
William Stafford Archives
William Stafford - Wikipedia
An Interview with William Stafford
William Stafford and Robert Bly - A Literary Friendship
-----
Tomorrow will have an island. Before night
I always find it. Then on to the next island.
These places hidden in the day separate
and come forward if you beckon.
But you have to know they are there before they exist.
Some time there will be a tomorrow without any island.
So far, I haven't let that happen, but after
I'm gone others may become faithless and careless.
Before them will tumble the wide unbroken sea,
and without any hope they will stare at the horizon.
So to you, Friend, I confide my secret:
to be a discoverer you hold close whatever
you find, and after a while you decide
what it is. Then, secure in where you have been,
you turn to the open sea and let go.
-----
Links:
I Wept Not - Chapter 21
William Stafford Archives
William Stafford - Wikipedia
An Interview with William Stafford
William Stafford and Robert Bly - A Literary Friendship
-----
Friday, October 22, 2010
Chapter 20 - A Heaven of Blackred Roses
XLIII by e.e. cummings
if there are any heavens my mother will (all by herself) have
one. It will not be a pansy heaven nor
a fragile heaven of lilies-of-the-valley but
it will be a heaven of blackred roses
my father will be (deep like a rose
tall like a rose)
standing near my
(swaying over her
silent)
with eyes which are really petals and see
nothing with the face of a poet really which
is a flower and not a face with
hands
which whisper
This is my beloved my
(suddenly in sunlight
he will bow,
& the whole garden will bow)
-----
Links:
I Wept Not - Chapter 20
E.E. Cummings - Wikipedia
Modern American Poetry - E.E. Cummings
The Paintings of E.E. Cummings
-----
if there are any heavens my mother will (all by herself) have
one. It will not be a pansy heaven nor
a fragile heaven of lilies-of-the-valley but
it will be a heaven of blackred roses
my father will be (deep like a rose
tall like a rose)
standing near my
(swaying over her
silent)
with eyes which are really petals and see
nothing with the face of a poet really which
is a flower and not a face with
hands
which whisper
This is my beloved my
(suddenly in sunlight
he will bow,
& the whole garden will bow)
-----
Links:
I Wept Not - Chapter 20
E.E. Cummings - Wikipedia
Modern American Poetry - E.E. Cummings
The Paintings of E.E. Cummings
-----
Saturday, October 2, 2010
Chapter 19 - Everything That Is
Soneto VIII by Pablo Neruda
Si no fuera porque tus ojos tienen color de luna,
de día con arcilla, con trabajo, con fuego,
y aprisionada tienes la agilidad del aire,
si no fuera porque eres una semana de ámbar,
si no fuera porque eres el momento amarillo
en que el otoño sube por las enredaderas
y eres aún el pan que la luna fragante
elabora paseando su harina por el cielo,
oh, bienamada, yo no te amaría!
En tu abrazo yo abrazo lo que existe,
la arena, el tiempo, el árbol de la lluvia,
y todo vive para que yo viva:
sin ir tan lejos puedo verlo todo:
veo en tu vida todo lo viviente.
Sonnet XVI
Translation by Stephen Tapscott
If your eyes were not the color of the moon,
of a day full of clay, and work, and fire,
if even held-in you did not move in agile grace like the air,
if you were not an amber week,
not the yellow moment
when autumn climbs up through the vines;
if you were not that bread the fragrant moon
kneads, sprinkling its flour across the sky,
oh, my dearest, I could not love you so!
But when I hold you I hold everything that is --
sand, time, the tree of the rain,
everything is alive so that I can be alive:
without moving I can see it all:
in your life I see everything that lives.
-----
Links: I Wept Not - Chapter 19
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Si no fuera porque tus ojos tienen color de luna,
de día con arcilla, con trabajo, con fuego,
y aprisionada tienes la agilidad del aire,
si no fuera porque eres una semana de ámbar,
si no fuera porque eres el momento amarillo
en que el otoño sube por las enredaderas
y eres aún el pan que la luna fragante
elabora paseando su harina por el cielo,
oh, bienamada, yo no te amaría!
En tu abrazo yo abrazo lo que existe,
la arena, el tiempo, el árbol de la lluvia,
y todo vive para que yo viva:
sin ir tan lejos puedo verlo todo:
veo en tu vida todo lo viviente.
Sonnet XVI
Translation by Stephen Tapscott
If your eyes were not the color of the moon,
of a day full of clay, and work, and fire,
if even held-in you did not move in agile grace like the air,
if you were not an amber week,
not the yellow moment
when autumn climbs up through the vines;
if you were not that bread the fragrant moon
kneads, sprinkling its flour across the sky,
oh, my dearest, I could not love you so!
But when I hold you I hold everything that is --
sand, time, the tree of the rain,
everything is alive so that I can be alive:
without moving I can see it all:
in your life I see everything that lives.
-----
Links: I Wept Not - Chapter 19
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Thursday, September 23, 2010
Chapter 18 - One Piece of Your Heart
When I select a poem for the title chapters, sometimes I already know which one I'll use. Other times I'll have a specific poet in mind. For example, with Jasper, I knew I'd be using Blake, Neruda, and especially Roethke at some point; for Edward, I knew I'd use some Dylan Thomas. For this chapter, Adrienne Rich seemed appropriate. There were actually several poems I thought would fit, and since I could only use one for the title, I thought I'd add two others I had considered. I hope you enjoy them! I doubt very many readers actually come over here to read the poetry, but for those who do, I love being able to share my love of poetry and some of my favorite poets with you!
Miracle Ice Cream by Adrienne Rich
Miracle's truck comes down the little avenue,
Scott Joplin ragtime strewn behind it like pearls,
and, yes, you can feel happy
with one piece of your heart.
Take what's still given: in a room's rich shadow
a woman's breasts swinging lightly as she bends.
Early now the pearl of dusk dissolves.
Late, you sit weighing the evening news,
fast-food miracles, ghostly revolutions,
the rest of year heart.
A Valediction Forbidding Mourning by Adrienne Rich
My swirling wants. Your frozen lips.
The grammar turned and attacked me.
Themes, written under duress.
Emptiness of the notations.
They gave me a drug that slowed the healing of wounds.
I want you to see this before I leave:
the experience of repetition as death
the failure of criticism to locate the pain
the poster in the bus that said:
my bleeding is under control
A red plant in a cemetary of plastic wreaths.
A last attempt: the language is a dialect called metaphor.
These images go unglossed: hair, glacier, flashlight.
When I think of a landscape I am thinking of a time.
When I talk of taking a trip I mean forever.
I could say: those mountains have a meaning
but further than that I could not say.
To do something very common, in my own way.
In Those Years by Adrienne Rich
In those years, people will say, we lost track
of the meaning of we, of you
we found ourselves
reduced to I
and the whole thing became
silly, ironic, terrible:
we were trying to live a personal life
and yes, that was the only life
we could bear witness to
But the great dark birds of history screamed and plunged
into our personal weather
They were headed somewhere else but their beaks and pinions drove
along the shore, through the rags of fog
where we stood, saying I
-----
Links:
I Wept Not - Chapter 18
Adrienne Rich - Wikipedia
Audio Recordings at Penn Sound
A Rich Life by Michael Klein, The Boston Phoenix Article
American Poems - Adrienne Rich
-----
Miracle Ice Cream by Adrienne Rich
Miracle's truck comes down the little avenue,
Scott Joplin ragtime strewn behind it like pearls,
and, yes, you can feel happy
with one piece of your heart.
Take what's still given: in a room's rich shadow
a woman's breasts swinging lightly as she bends.
Early now the pearl of dusk dissolves.
Late, you sit weighing the evening news,
fast-food miracles, ghostly revolutions,
the rest of year heart.
A Valediction Forbidding Mourning by Adrienne Rich
My swirling wants. Your frozen lips.
The grammar turned and attacked me.
Themes, written under duress.
Emptiness of the notations.
They gave me a drug that slowed the healing of wounds.
I want you to see this before I leave:
the experience of repetition as death
the failure of criticism to locate the pain
the poster in the bus that said:
my bleeding is under control
A red plant in a cemetary of plastic wreaths.
A last attempt: the language is a dialect called metaphor.
These images go unglossed: hair, glacier, flashlight.
When I think of a landscape I am thinking of a time.
When I talk of taking a trip I mean forever.
I could say: those mountains have a meaning
but further than that I could not say.
To do something very common, in my own way.
In Those Years by Adrienne Rich
In those years, people will say, we lost track
of the meaning of we, of you
we found ourselves
reduced to I
and the whole thing became
silly, ironic, terrible:
we were trying to live a personal life
and yes, that was the only life
we could bear witness to
But the great dark birds of history screamed and plunged
into our personal weather
They were headed somewhere else but their beaks and pinions drove
along the shore, through the rags of fog
where we stood, saying I
-----
Links:
I Wept Not - Chapter 18
Adrienne Rich - Wikipedia
Audio Recordings at Penn Sound
A Rich Life by Michael Klein, The Boston Phoenix Article
American Poems - Adrienne Rich
-----
Friday, September 3, 2010
Chapter 17 - The Multiplying Universe
Soneto XVI by Pablo Neruda
Amo el trozo de tierra que tú eres,
porque de las praderas planetarias
otra estrella no tengo. Tú repites
la multiplicación del universo.
Tus anchos ojos son la luz que tengo
de las constelaciones derrotadas,
tu piel palpita como los caminos
que recorre en la lluvia el meteoro.
De tanta luna fueron para mí tus caderas,
de todo el sol tu boca profunda y su delicia,
de tanta luz ardiente como miel en la sombra
tu corazón quemado por largos rayos rojos,
y así recorro el fuego de tu forma besándote,
pequeña y planetaria, paloma y geografía.
Sonnet XVI
Translation by Stephen Tapscott
I love the handful of the earth you are.
Because of its meadows, vast as a planet,
I have no other star. You are my replica
of the multiplying universe.
Your wide eyes are the only light I know
from extinguished constellations;
your skin throbs like the streak
of a meteor through rain.
Your hips were that much of the moon for me;
your deep mouth and its delights, that much sun;
your heart, fiery with its long red rays,
was that much ardent light, like honey in the shade.
So I pass across your burning form, kissing
you—compact and planentary, my dove, my globe.
-----
Links:
I Wept Not - Chapter 17
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Amo el trozo de tierra que tú eres,
porque de las praderas planetarias
otra estrella no tengo. Tú repites
la multiplicación del universo.
Tus anchos ojos son la luz que tengo
de las constelaciones derrotadas,
tu piel palpita como los caminos
que recorre en la lluvia el meteoro.
De tanta luna fueron para mí tus caderas,
de todo el sol tu boca profunda y su delicia,
de tanta luz ardiente como miel en la sombra
tu corazón quemado por largos rayos rojos,
y así recorro el fuego de tu forma besándote,
pequeña y planetaria, paloma y geografía.
Sonnet XVI
Translation by Stephen Tapscott
I love the handful of the earth you are.
Because of its meadows, vast as a planet,
I have no other star. You are my replica
of the multiplying universe.
Your wide eyes are the only light I know
from extinguished constellations;
your skin throbs like the streak
of a meteor through rain.
Your hips were that much of the moon for me;
your deep mouth and its delights, that much sun;
your heart, fiery with its long red rays,
was that much ardent light, like honey in the shade.
So I pass across your burning form, kissing
you—compact and planentary, my dove, my globe.
-----
Links:
I Wept Not - Chapter 17
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Chapter 16 - From the Rift
Clown in the Moon by Dylan Thomas
My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.
I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.
-----
Links:
I Wept Not - Chapter 16
Dylan Thomas
Dylan Thomas - Wikipedia
Poems by Dylan Thomas
-----
My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.
I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.
-----
Links:
I Wept Not - Chapter 16
Dylan Thomas
Dylan Thomas - Wikipedia
Poems by Dylan Thomas
-----
Friday, July 30, 2010
Chapter 15 - The Savage Blood's Obscenity
Epidermal Macabre by Theodore Roethke
Indelicate is he who loathes
The aspect of his fleshy clothes, —
The flying fabric stitched on bone,
The vesture of the skeleton,
The garment neither fur nor hair,
The cloak of evil and despair,
The veil long violated by
Caresses of the hand and eye.
Yet such is my unseemliness:
I hate my epidermal dress,
The savage blood's obscenity,
The rags of my anatomy,
And willingly would I dispense
With false accouterments of sense,
To sleep immodestly, a most
Incarnadine and carnal ghost.
-----
Links:
I Wept Not - Chapter 15
Theodore Roethke - Wikipedia
Modern American Poetry - Theodore Roethke
-----
Indelicate is he who loathes
The aspect of his fleshy clothes, —
The flying fabric stitched on bone,
The vesture of the skeleton,
The garment neither fur nor hair,
The cloak of evil and despair,
The veil long violated by
Caresses of the hand and eye.
Yet such is my unseemliness:
I hate my epidermal dress,
The savage blood's obscenity,
The rags of my anatomy,
And willingly would I dispense
With false accouterments of sense,
To sleep immodestly, a most
Incarnadine and carnal ghost.
-----
Links:
I Wept Not - Chapter 15
Theodore Roethke - Wikipedia
Modern American Poetry - Theodore Roethke
-----
Thursday, July 1, 2010
Chapter 13 - The Deepening Shade
In a Dark Time by Theodore Roethke
In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall,
That place among the rocks—is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is—
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
-----
Links:
I Wept Not - Chapter 13
Theodore Roethke - Wikipedia
Modern American Poetry - Theodore Roethke
-----
In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall,
That place among the rocks—is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is—
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
-----
Links:
I Wept Not - Chapter 13
Theodore Roethke - Wikipedia
Modern American Poetry - Theodore Roethke
-----
Thursday, June 17, 2010
Chapter 12 - It Shall Be You
Song of Myself by Walt Whitman
24
Walt Whitman, a kosmos, of Manhattan the son,
Turbulent, fleshy, sensual, eating, drinking and breeding,
No sentimentalist, no stander above men and women or apart from them,
No more modest than immodest.
Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!
Whoever degrades another degrades me,
And whatever is done or said returns at last to me.
Through me the afflatus surging and surging, through me the current and index.
I speak the pass-word primeval, I give the sign of democracy,
By God! I will accept nothing which all cannot have their counterpart of on the same terms.
Through me many long dumb voices,
Voices of the interminable generations of prisoners and slaves,
Voices of the diseas'd and despairing and of thieves and dwarfs,
Voices of cycles of preparation and accretion,
And of the threads that connect the stars, and of wombs and of the father-stuff,
And of the rights of them the others are down upon,
Of the deform'd, trivial, flat, foolish, despised,
Fog in the air, beetles rolling balls of dung.
Through me forbidden voices,
Voices of sexes and lusts, voices veil'd and I remove the veil,
Voices indecent by me clarified and transfigur'd.
I do not press my fingers across my mouth,
I keep as delicate around the bowels as around the head and heart,
Copulation is no more rank to me than death is.
I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
Divine am I inside and out, and I make holy whatever I touch or am touch'd from,
The scent of these arm-pits aroma finer than prayer,
This head more than churches, bibles, and all the creeds.
If I worship one thing more than another it shall be the spread of my own body, or any part of it,
Translucent mould of me it shall be you!
Shaded ledges and rests it shall be you!
Firm masculine colter it shall be you!
Whatever goes to the tilth of me it shall be you!
You my rich blood! your milky stream pale strippings of my life!
Breast that presses against other breasts it shall be you!
My brain it shall be your occult convolutions!
Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you!
Mix'd tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple, fibre of manly wheat, it shall be you!
Sun so generous it shall be you!
Vapors lighting and shading my face it shall be you!
You sweaty brooks and dews it shall be you!
Winds whose soft-tickling genitals rub against me it shall be you!
Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you!
Hands I have taken, face I have kiss'd, mortal I have ever touch'd, it shall be you.
I dote on myself, there is that lot of me and all so luscious,
Each moment and whatever happens thrills me with joy,
I cannot tell how my ankles bend, nor whence the cause of my faintest wish,
Nor the cause of the friendship I emit, nor the cause of the friendship I take again.
That I walk up my stoop, I pause to consider if it really be,
A morning-glory at my window satisfies me more than the metaphysics of books.
To behold the day-break!
The little light fades the immense and diaphanous shadows,
The air tastes good to my palate.
Hefts of the moving world at innocent gambols silently rising freshly exuding,
Scooting obliquely high and low.
Something I cannot see puts upward libidinous prongs,
Seas of bright juice suffuse heaven.
The earth by the sky staid with, the daily close of their junction,
The heav'd challenge from the east that moment over my head,
The mocking taunt, See then whether you shall be master!
To A Stranger by Walt Whitman
Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
-----
Links:
I Wept Not - Chapter 12
The Walt Whitman Archive
Walt Whitman - Wikipedia
Poems by Walt Whitman
Song of Myself
-----
24
Walt Whitman, a kosmos, of Manhattan the son,
Turbulent, fleshy, sensual, eating, drinking and breeding,
No sentimentalist, no stander above men and women or apart from them,
No more modest than immodest.
Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!
Whoever degrades another degrades me,
And whatever is done or said returns at last to me.
Through me the afflatus surging and surging, through me the current and index.
I speak the pass-word primeval, I give the sign of democracy,
By God! I will accept nothing which all cannot have their counterpart of on the same terms.
Through me many long dumb voices,
Voices of the interminable generations of prisoners and slaves,
Voices of the diseas'd and despairing and of thieves and dwarfs,
Voices of cycles of preparation and accretion,
And of the threads that connect the stars, and of wombs and of the father-stuff,
And of the rights of them the others are down upon,
Of the deform'd, trivial, flat, foolish, despised,
Fog in the air, beetles rolling balls of dung.
Through me forbidden voices,
Voices of sexes and lusts, voices veil'd and I remove the veil,
Voices indecent by me clarified and transfigur'd.
I do not press my fingers across my mouth,
I keep as delicate around the bowels as around the head and heart,
Copulation is no more rank to me than death is.
I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
Divine am I inside and out, and I make holy whatever I touch or am touch'd from,
The scent of these arm-pits aroma finer than prayer,
This head more than churches, bibles, and all the creeds.
If I worship one thing more than another it shall be the spread of my own body, or any part of it,
Translucent mould of me it shall be you!
Shaded ledges and rests it shall be you!
Firm masculine colter it shall be you!
Whatever goes to the tilth of me it shall be you!
You my rich blood! your milky stream pale strippings of my life!
Breast that presses against other breasts it shall be you!
My brain it shall be your occult convolutions!
Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you!
Mix'd tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple, fibre of manly wheat, it shall be you!
Sun so generous it shall be you!
Vapors lighting and shading my face it shall be you!
You sweaty brooks and dews it shall be you!
Winds whose soft-tickling genitals rub against me it shall be you!
Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you!
Hands I have taken, face I have kiss'd, mortal I have ever touch'd, it shall be you.
I dote on myself, there is that lot of me and all so luscious,
Each moment and whatever happens thrills me with joy,
I cannot tell how my ankles bend, nor whence the cause of my faintest wish,
Nor the cause of the friendship I emit, nor the cause of the friendship I take again.
That I walk up my stoop, I pause to consider if it really be,
A morning-glory at my window satisfies me more than the metaphysics of books.
To behold the day-break!
The little light fades the immense and diaphanous shadows,
The air tastes good to my palate.
Hefts of the moving world at innocent gambols silently rising freshly exuding,
Scooting obliquely high and low.
Something I cannot see puts upward libidinous prongs,
Seas of bright juice suffuse heaven.
The earth by the sky staid with, the daily close of their junction,
The heav'd challenge from the east that moment over my head,
The mocking taunt, See then whether you shall be master!
To A Stranger by Walt Whitman
Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
-----
Links:
I Wept Not - Chapter 12
The Walt Whitman Archive
Walt Whitman - Wikipedia
Poems by Walt Whitman
Song of Myself
-----
Friday, May 21, 2010
Chapter 10 - Eternity in an Hour
Auguries of Innocence by William Blake
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A dove house filld with doves & Pigeons
Shudders Hell thro all its regions.
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd and armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer wandring here & there
Keeps the Human Soul from Care
The Lamb misusd breeds Public strife
And yet forgives the Butchers Knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has movd
Shall never be by Woman lovd
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgement draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog and Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The Poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A truth thats told with bad intent
Beats all the Lies you can invent
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the Soul divine
Under every grief & pine
Runs a joy with silken twine
The Babe is more than swaddling Bands
Throughout all these Human Lands
Tools were made & Born were hands
Every Farmer Understands
Every Tear from Every Eye
Becomes a Babe in Eternity
This is caught by Females bright
And returnd to its own delight
The Bleat the Bark Bellow & Roar
Are Waves that Beat on Heavens Shore
The Babe that weeps the Rod beneath
Writes Revenge in realms of death
The Beggars Rags fluttering in Air
Does to Rags the Heavens tear
The Soldier armd with Sword & Gun
Palsied strikes the Summers Sun
The poor Mans Farthing is worth more
Than all the Gold on Africs Shore
One Mite wrung from the Labrers hands
Shall buy & sell the Misers Lands
Or if protected from on high
Does that whole Nation sell & buy
He who mocks the Infants Faith
Shall be mockd in Age & Death
He who shall teach the Child to Doubt
The rotting Grave shall neer get out
He who respects the Infants faith
Triumphs over Hell & Death
The Childs Toys and the Old Mans Reasons
Are the Fruits of the Two seasons
The Questioner who sits so sly
Shall never know how to Reply
He who replies to words of Doubt
Doth put the Light of Knowledge out
The Strongest Poison ever known
Came from Caesars Laurel Crown
Nought can deform the Human Race
Like to the Armours iron brace
When Gold and Gems adorn the Plow
To peaceful Arts shall Envy Bow
A Riddle or the Crickets Cry
Is to Doubt a fit Reply
The Emmets Inch & Eagles Mile
Make Lame Philosophy to smile
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should doubt
Theyd immediately Go out
To be in a Passion you Good may do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn & every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day
The Lamb by William Blake
Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life, and bid thee feed,
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?
Little Lamb, I'll tell thee,
Little Lamb, I'll tell thee.
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild;
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little Lamb, God bless thee!
Little Lamb, God bless thee!
Dulce et Decorum Est by Wilfred Owen
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! Gas! Quick, boys!---An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,---
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
-----
Links:
I Wept Not - Chapter 10
The William Blake Archive
Songs of Innocence and Experience
The Wilfred Owen Collection
Wilfred Owen - Wikipedia
-----
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A dove house filld with doves & Pigeons
Shudders Hell thro all its regions.
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd and armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer wandring here & there
Keeps the Human Soul from Care
The Lamb misusd breeds Public strife
And yet forgives the Butchers Knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has movd
Shall never be by Woman lovd
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgement draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog and Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The Poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A truth thats told with bad intent
Beats all the Lies you can invent
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the Soul divine
Under every grief & pine
Runs a joy with silken twine
The Babe is more than swaddling Bands
Throughout all these Human Lands
Tools were made & Born were hands
Every Farmer Understands
Every Tear from Every Eye
Becomes a Babe in Eternity
This is caught by Females bright
And returnd to its own delight
The Bleat the Bark Bellow & Roar
Are Waves that Beat on Heavens Shore
The Babe that weeps the Rod beneath
Writes Revenge in realms of death
The Beggars Rags fluttering in Air
Does to Rags the Heavens tear
The Soldier armd with Sword & Gun
Palsied strikes the Summers Sun
The poor Mans Farthing is worth more
Than all the Gold on Africs Shore
One Mite wrung from the Labrers hands
Shall buy & sell the Misers Lands
Or if protected from on high
Does that whole Nation sell & buy
He who mocks the Infants Faith
Shall be mockd in Age & Death
He who shall teach the Child to Doubt
The rotting Grave shall neer get out
He who respects the Infants faith
Triumphs over Hell & Death
The Childs Toys and the Old Mans Reasons
Are the Fruits of the Two seasons
The Questioner who sits so sly
Shall never know how to Reply
He who replies to words of Doubt
Doth put the Light of Knowledge out
The Strongest Poison ever known
Came from Caesars Laurel Crown
Nought can deform the Human Race
Like to the Armours iron brace
When Gold and Gems adorn the Plow
To peaceful Arts shall Envy Bow
A Riddle or the Crickets Cry
Is to Doubt a fit Reply
The Emmets Inch & Eagles Mile
Make Lame Philosophy to smile
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should doubt
Theyd immediately Go out
To be in a Passion you Good may do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn & every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day
The Lamb by William Blake
Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life, and bid thee feed,
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?
Little Lamb, I'll tell thee.
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild;
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little Lamb, God bless thee!
Little Lamb, God bless thee!
Dulce et Decorum Est by Wilfred Owen
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! Gas! Quick, boys!---An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,---
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
-----
Links:
I Wept Not - Chapter 10
The William Blake Archive
Songs of Innocence and Experience
The Wilfred Owen Collection
Wilfred Owen - Wikipedia
-----
Thursday, May 6, 2010
Chapter 9 - Sniffing the Twilight
Soneto XI by Pablo Neruda
Tengo hambre de tu boca, de tu voz, de tu pelo
y por las calles voy sin nutrirme, callado,
no me sostiene el pan, el alba me desquicia,
busco el sonido líquido de tus pies en el día.
Estoy hambriento de tu risa resbalada,
de tus manos color de furioso granero,
tengo hambre de la pálida piedra de tus uñas,
quiero comer tu piel como una intacta almendra.
Quiero comer el rayo quemado en tu hermosura,
la nariz soberana del arrogante rostro,
quiero comer la sombra fugaz de tus pestañas
y hambriento vengo y voy olfateando el crepúsculo
buscándote, buscando tu corazón caliente
como un puma en la soledad de Quitratúe.
Sonnet XI
Translation by Stephen Tapscott
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
-----
Links:
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
Tengo hambre de tu boca, de tu voz, de tu pelo
y por las calles voy sin nutrirme, callado,
no me sostiene el pan, el alba me desquicia,
busco el sonido líquido de tus pies en el día.
Estoy hambriento de tu risa resbalada,
de tus manos color de furioso granero,
tengo hambre de la pálida piedra de tus uñas,
quiero comer tu piel como una intacta almendra.
Quiero comer el rayo quemado en tu hermosura,
la nariz soberana del arrogante rostro,
quiero comer la sombra fugaz de tus pestañas
y hambriento vengo y voy olfateando el crepúsculo
buscándote, buscando tu corazón caliente
como un puma en la soledad de Quitratúe.
Sonnet XI
Translation by Stephen Tapscott
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
-----
Links:
Pablo Neruda - Wikipedia
Pablo Neruda - Poems
Red Poppy: Pablo Neruda
-----
I Wept Not - Prologue
Inferno, Canto XXXIII (lines 13-78) by Dante Alighieri
'Take note that I was Count Ugolino,
and he Archbishop Ruggieri. Let me
tell you why I'm such a neighbor to him.
'How, as consummation of his malicious schemes,
after I'd lodged my trust in him, he had me seized
and put to death, there is no need to tell.
'But when you learn what you cannot have heard --
that is to say, the cruelty of my death --
then you shall know if he has wronged me.
'A little spyhole in the Mew, which now
on my account is called the Tower of Hunger,
where others yet shall be imprisoned,
'had through its opening shown me several moons,
when, in a dreadful dream,
the veil was rent, and I foresaw the future.
'This man appeared to be the lord and master,
hunting the wolf and wolfcubs on the mountain
that hides Lucca from the sight of Pisans.
'Along with well-trained hounds, lean and eager,
he had ranged in his front rank
Gualandi, Sismondi, and Lanfranchi.
'Father and sons, after a brief pursuit,
seemed to be flagging, and it seemed to me I saw
the flesh torn from their flanks by sharp incisors.
'When I awoke before the dawn of day
I heard my children, in that prison with me,
weep in their sleep and ask for bread.
'You are cruel indeed, thinking what my heart
foretold, if you remain untouched by grief,
and if you weep not, what can make you weep?
'Now they were awake, and the hour drew near
at which our food was brought to us.
Each of us was troubled by his dream.
'Down below I heard them nailing shut
the entry to the dreadful tower. I looked
my children in the face, without a word.
I was so turned to stone inside I did not weep.
But they were weeping, and my little Anselm
said: "You look so strange, father, what's wrong?"
'Even then I shed no tear, and made no answer
all that day, and all the night that followed
until the next day's sun came forth upon the world.
'As soon as some few rays had made their way
into the woeful prison, and I discerned
four other faces stamped with my expression,
'the sorrow of it made me gnaw my hands.
And they, imagining I was doing this
from hunger, rose at once, saying:
'"Father, we would suffer less
if you would feed on us: you clothed us
in this wretched flesh -- now strip it off."
'Then, not to increase their grief, I calmed myself.
That day and the next we did not speak a word.
O hard earth, why did you not engulf us?
'When we had come as far as the fourth day
my Gaddo threw himself on the ground before me,
crying, "O father, why won't you help me?"
'There he died; and even as you see me now
I watched the other three die, one by one,
on the fifth day and the sixth. And I began,
'already blind, to grope over their bodies,
and for two days called to them, though they were dead.
Then fasting had more power than grief.'
Having said this, with maddened eyes he seized
that wretched skull again between his teeth
and clenched them on the bone just like a dog.
-----
Links:
I Wept Not - Prologue
Princeton Dante Project
Dartmouth Dante Project
The World of Dante
Inferno (Dante) - Wikipedia
Ugolino della Gherardesca - Wikipedia
-----
'Take note that I was Count Ugolino,
and he Archbishop Ruggieri. Let me
tell you why I'm such a neighbor to him.
'How, as consummation of his malicious schemes,
after I'd lodged my trust in him, he had me seized
and put to death, there is no need to tell.
'But when you learn what you cannot have heard --
that is to say, the cruelty of my death --
then you shall know if he has wronged me.
'A little spyhole in the Mew, which now
on my account is called the Tower of Hunger,
where others yet shall be imprisoned,
'had through its opening shown me several moons,
when, in a dreadful dream,
the veil was rent, and I foresaw the future.
'This man appeared to be the lord and master,
hunting the wolf and wolfcubs on the mountain
that hides Lucca from the sight of Pisans.
'Along with well-trained hounds, lean and eager,
he had ranged in his front rank
Gualandi, Sismondi, and Lanfranchi.
'Father and sons, after a brief pursuit,
seemed to be flagging, and it seemed to me I saw
the flesh torn from their flanks by sharp incisors.
'When I awoke before the dawn of day
I heard my children, in that prison with me,
weep in their sleep and ask for bread.
'You are cruel indeed, thinking what my heart
foretold, if you remain untouched by grief,
and if you weep not, what can make you weep?
'Now they were awake, and the hour drew near
at which our food was brought to us.
Each of us was troubled by his dream.
'Down below I heard them nailing shut
the entry to the dreadful tower. I looked
my children in the face, without a word.
I was so turned to stone inside I did not weep.
But they were weeping, and my little Anselm
said: "You look so strange, father, what's wrong?"
'Even then I shed no tear, and made no answer
all that day, and all the night that followed
until the next day's sun came forth upon the world.
'As soon as some few rays had made their way
into the woeful prison, and I discerned
four other faces stamped with my expression,
'the sorrow of it made me gnaw my hands.
And they, imagining I was doing this
from hunger, rose at once, saying:
'"Father, we would suffer less
if you would feed on us: you clothed us
in this wretched flesh -- now strip it off."
'Then, not to increase their grief, I calmed myself.
That day and the next we did not speak a word.
O hard earth, why did you not engulf us?
'When we had come as far as the fourth day
my Gaddo threw himself on the ground before me,
crying, "O father, why won't you help me?"
'There he died; and even as you see me now
I watched the other three die, one by one,
on the fifth day and the sixth. And I began,
'already blind, to grope over their bodies,
and for two days called to them, though they were dead.
Then fasting had more power than grief.'
Having said this, with maddened eyes he seized
that wretched skull again between his teeth
and clenched them on the bone just like a dog.
-----
Links:
I Wept Not - Prologue
Princeton Dante Project
Dartmouth Dante Project
The World of Dante
Inferno (Dante) - Wikipedia
Ugolino della Gherardesca - Wikipedia
-----
Chapter 1 - With the Setting Sun
Paradise Lost, Book I (lines 739-751) by John Milton
In ancient Greece; and in Ausonian land
Men call'd him Mulciber; and how he fell [ 740 ]
From Heav'n, they fabl'd, thrown by angry Jove
Sheer o're the Chrystal Battlements: from Morn
To Noon he fell, from Noon to dewy Eve,
A Summers day; and with the setting Sun
Dropt from the Zenith like a falling Star, [ 745 ]
On Lemnos th' Ægean Ile: thus they relate,
Erring; for he with this rebellious rout
Fell long before; nor aught avail'd him now
To have built in Heav'n high Towrs; nor did he scape
By all his Engins, but was headlong sent [ 750 ]
With his industrious crew to build in hell.
-----
Links:
I Wept Not - Chapter 1
John Milton, The Milton-L Home Page
John Milton - Wikipedia
The John Milton Reading Room
Paradise Lost
-----
In ancient Greece; and in Ausonian land
Men call'd him Mulciber; and how he fell [ 740 ]
From Heav'n, they fabl'd, thrown by angry Jove
Sheer o're the Chrystal Battlements: from Morn
To Noon he fell, from Noon to dewy Eve,
A Summers day; and with the setting Sun
Dropt from the Zenith like a falling Star, [ 745 ]
On Lemnos th' Ægean Ile: thus they relate,
Erring; for he with this rebellious rout
Fell long before; nor aught avail'd him now
To have built in Heav'n high Towrs; nor did he scape
By all his Engins, but was headlong sent [ 750 ]
With his industrious crew to build in hell.
-----
Links:
I Wept Not - Chapter 1
John Milton, The Milton-L Home Page
John Milton - Wikipedia
The John Milton Reading Room
Paradise Lost
-----
Chapter 2 - Bright and Deep
A Boy's Song by James Hogg
Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That's the way for Billy and me.
Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That's the way for Billy and me.
Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That's the way for Billy and me.
Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That's the way for Billy and me.
Why the boys should drive away
Little sweet maidens from their play,
Or love to banter and fight so well,
That's the thing I never could tell.
But this I know, I love to play
Through the meadow, among the hay;
Up the water and over the lea,
That's the way for Billy and me.
-----
Links:
I Wept Not - Chapter 2
James Hogg - Wikipedia
The James Hogg Society
The Private Memoirs and Confessions of a Justified Sinner
-----
Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That's the way for Billy and me.
Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That's the way for Billy and me.
Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That's the way for Billy and me.
Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That's the way for Billy and me.
Why the boys should drive away
Little sweet maidens from their play,
Or love to banter and fight so well,
That's the thing I never could tell.
But this I know, I love to play
Through the meadow, among the hay;
Up the water and over the lea,
That's the way for Billy and me.
-----
Links:
I Wept Not - Chapter 2
James Hogg - Wikipedia
The James Hogg Society
The Private Memoirs and Confessions of a Justified Sinner
-----
Wednesday, May 5, 2010
Chapter 3 - Darkness Visible
Paradise Lost, Book I (lines 1-83) by John Milton
Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat, [ 5 ]
Sing Heav'nly Muse,that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav'ns and Earth
Rose out of Chaos: Or if Sion Hill [ 10 ]
Delight thee more, and Siloa's Brook that flow'd
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th' Aonian Mount, while it pursues [ 15 ]
Things unattempted yet in Prose or Rhime.
And chiefly Thou O Spirit, that dost prefer
Before all Temples th' upright heart and pure,
Instruct me, for Thou know'st; Thou from the first
Wast present, and with mighty wings outspread [ 20 ]
Dove-like satst brooding on the vast Abyss
And mad'st it pregnant: What in me is dark
Illumin, what is low raise and support;
That to the highth of this great Argument
I may assert Eternal Providence, [ 25 ]
And justifie the wayes of God to men.
Say first, for Heav'n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov'd our Grand Parents in that happy State,
Favour'd of Heav'n so highly, to fall off [ 30 ]
From thir Creator, and transgress his Will
For one restraint, Lords of the World besides?
Who first seduc'd them to that foul revolt?
Th' infernal Serpent; he it was, whose guile
Stird up with Envy and Revenge, deceiv'd [ 35 ]
The Mother of Mankind, what time his Pride
Had cast him out from Heav'n, with all his Host
Of Rebel Angels, by whose aid aspiring
To set himself in Glory above his Peers,
He trusted to have equal'd the most High, [ 40 ]
If he oppos'd; and with ambitious aim
Against the Throne and Monarchy of God
Rais'd impious War in Heav'n and Battel proud
With vain attempt. Him the Almighty Power
Hurld headlong flaming from th' Ethereal Skie [ 45 ]
With hideous ruine and combustion down
To bottomless perdition, there to dwell
In Adamantine Chains and penal Fire,
Who durst defie th' Omnipotent to Arms.
Nine times the Space that measures Day and Night [ 50 ]
To mortal men, he with his horrid crew
Lay vanquisht, rowling in the fiery Gulfe
Confounded though immortal: But his doom
Reserv'd him to more wrath; for now the thought
Both of lost happiness and lasting pain [ 55 ]
Torments him; round he throws his baleful eyes
That witness'd huge affliction and dismay
Mixt with obdurate pride and stedfast hate:
At once as far as Angels kenn he views
The dismal Situation waste and wilde, [ 60 ]
A Dungeon horrible, on all sides round
As one great Furnace flam'd, yet from those flames
No light, but rather darkness visible
Serv'd onely to discover sights of woe,
Regions of sorrow, doleful shades, where peace [ 65 ]
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery Deluge, fed
With ever-burning Sulphur unconsum'd:
Such place Eternal Justice had prepar'd [ 70 ]
For those rebellious, here thir Prison ordain'd
In utter darkness, and thir portion set
As far remov'd from God and light of Heav'n
As from the Center thrice to th' utmost Pole.
O how unlike the place from whence they fell! [ 75 ]
There the companions of his fall, o'rewhelm'd
With Floods and Whirlwinds of tempestuous fire,
He soon discerns, and weltring by his side
One next himself in power, and next in crime,
Long after known in Palestine, and nam'd [ 80 ]
Beelzebub. To whom th' Arch-Enemy,
And thence in Heav'n call'd Satan, with bold words
Breaking the horrid silence thus began.
-----
Links:
I Wept Not - Chapter 3
John Milton, The Milton-L Home Page
John Milton - Wikipedia
The John Milton Reading Room
Paradise Lost
-----
Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat, [ 5 ]
Sing Heav'nly Muse,that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav'ns and Earth
Rose out of Chaos: Or if Sion Hill [ 10 ]
Delight thee more, and Siloa's Brook that flow'd
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th' Aonian Mount, while it pursues [ 15 ]
Things unattempted yet in Prose or Rhime.
And chiefly Thou O Spirit, that dost prefer
Before all Temples th' upright heart and pure,
Instruct me, for Thou know'st; Thou from the first
Wast present, and with mighty wings outspread [ 20 ]
Dove-like satst brooding on the vast Abyss
And mad'st it pregnant: What in me is dark
Illumin, what is low raise and support;
That to the highth of this great Argument
I may assert Eternal Providence, [ 25 ]
And justifie the wayes of God to men.
Say first, for Heav'n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov'd our Grand Parents in that happy State,
Favour'd of Heav'n so highly, to fall off [ 30 ]
From thir Creator, and transgress his Will
For one restraint, Lords of the World besides?
Who first seduc'd them to that foul revolt?
Th' infernal Serpent; he it was, whose guile
Stird up with Envy and Revenge, deceiv'd [ 35 ]
The Mother of Mankind, what time his Pride
Had cast him out from Heav'n, with all his Host
Of Rebel Angels, by whose aid aspiring
To set himself in Glory above his Peers,
He trusted to have equal'd the most High, [ 40 ]
If he oppos'd; and with ambitious aim
Against the Throne and Monarchy of God
Rais'd impious War in Heav'n and Battel proud
With vain attempt. Him the Almighty Power
Hurld headlong flaming from th' Ethereal Skie [ 45 ]
With hideous ruine and combustion down
To bottomless perdition, there to dwell
In Adamantine Chains and penal Fire,
Who durst defie th' Omnipotent to Arms.
Nine times the Space that measures Day and Night [ 50 ]
To mortal men, he with his horrid crew
Lay vanquisht, rowling in the fiery Gulfe
Confounded though immortal: But his doom
Reserv'd him to more wrath; for now the thought
Both of lost happiness and lasting pain [ 55 ]
Torments him; round he throws his baleful eyes
That witness'd huge affliction and dismay
Mixt with obdurate pride and stedfast hate:
At once as far as Angels kenn he views
The dismal Situation waste and wilde, [ 60 ]
A Dungeon horrible, on all sides round
As one great Furnace flam'd, yet from those flames
No light, but rather darkness visible
Serv'd onely to discover sights of woe,
Regions of sorrow, doleful shades, where peace [ 65 ]
And rest can never dwell, hope never comes
That comes to all; but torture without end
Still urges, and a fiery Deluge, fed
With ever-burning Sulphur unconsum'd:
Such place Eternal Justice had prepar'd [ 70 ]
For those rebellious, here thir Prison ordain'd
In utter darkness, and thir portion set
As far remov'd from God and light of Heav'n
As from the Center thrice to th' utmost Pole.
O how unlike the place from whence they fell! [ 75 ]
There the companions of his fall, o'rewhelm'd
With Floods and Whirlwinds of tempestuous fire,
He soon discerns, and weltring by his side
One next himself in power, and next in crime,
Long after known in Palestine, and nam'd [ 80 ]
Beelzebub. To whom th' Arch-Enemy,
And thence in Heav'n call'd Satan, with bold words
Breaking the horrid silence thus began.
-----
Links:
I Wept Not - Chapter 3
John Milton, The Milton-L Home Page
John Milton - Wikipedia
The John Milton Reading Room
Paradise Lost
-----
Chapter 4 - Prince of the Apple Towns
Fern Hill by Dylan Thomas
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
-----
Links:
I Wept Not - Chapter 4
Dylan Thomas Home Page
Dylan Thomas - Wikipedia
"Fern Hill" by Dylan Thomas - YouTube Spoken Verse
-----
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
-----
Links:
I Wept Not - Chapter 4
Dylan Thomas Home Page
Dylan Thomas - Wikipedia
"Fern Hill" by Dylan Thomas - YouTube Spoken Verse
-----
Chapter 5 - Like A Red Flame
The Book of Urizen - Chapter IV [b]
1. Ages on ages roll'd over him!
In stony sleep ages roll'd over him!
Like a dark waste stretching chang'able
By earthquakes riv'n, belching sullen fires
On ages roll'd ages in ghastly
Sick torment; around him in whirlwinds
Of darkness the eternal Prophet howl'd
Beating still on his rivets of iron
Pouring sodor of iron; dividing
The horrible night into watches.
2. And Urizen (so his eternal name)
His prolific delight obscurd more & more
In dark secresy hiding in surgeing
Sulphureous fluid his phantasies.
The Eternal Prophet heavd the dark bellows,
And turn'd restless the tongs; and the hammer
Incessant beat; forging chains new & new
Numb'ring with links. hours, days & years
3. The eternal mind bounded began to roll
Eddies of wrath ceaseless round & round,
And the sulphureous foam surgeing thick
Settled, a lake, bright, & shining clear:
White as the snow on the mountains cold.
4. Forgetfulness, dumbness, necessity!
In chains of the mind locked up,
Like fetters of ice shrinking together
Disorganiz'd, rent from Eternity,
Los beat on his fetters of iron;
And heated his furnaces & pour'd
Iron sodor and sodor of brass
5. Restless turnd the immortal inchain'd
Heaving dolorous! anguish'd! unbearable
Till a roof shaggy wild inclos'd
In an orb, his fountain of thought.
6. In a horrible dreamful slumber;
Like the linked infernal chain;
A vast Spine writh'd in torment
Upon the winds; shooting pain'd
Ribs, like a bending cavern
And bones of solidness, froze
Over all his nerves of joy.
And a first Age passed over,
And a state of dismal woe.
7. From the caverns of his jointed Spine,
Down sunk with fright a red
Round globe hot burning deep
Deep down into the Abyss:
Panting: Conglobing, Trembling
Shooting out ten thousand branches
Around his solid bones.
And a second Age passed over,
And a state of dismal woe.
8. In harrowing fear rolling round;
His nervous brain shot branches
Round the branches of his heart.
On high into two little orbs
And fixed in two little caves
Hiding carefully from the wind,
His Eyes beheld the deep,
And a third Age passed over:
And a state of dismal woe.
9. The pangs of hope began,
In heavy pain striving, struggling.
Two Ears in close volutions.
From beneath his orbs of vision
Shot spiring out and petrified
As they grew. And a fourth Age passed
And a state of dismal woe.
10. In ghastly torment sick;
Hanging upon the wind;
Two Nostrils bent down to the deep.
And a fifth Age passed over;
And a state of dismal woe.
11. In ghastly torment sick;
Within his ribs bloated round,
A craving Hungry Cavern;
Thence arose his channeld Throat,
And like a red flame a Tongue
Of thirst & of hunger appeard.
And a sixth Age passed over:
And a state of dismal woe.
12. Enraged & stifled with torment
He threw his right Arm to the north
His left Arm to the south
Shooting out in anguish deep,
And his Feet stampd the nether Abyss
In trembling & howling & dismay.
And a seventh Age passed over:
And a state of dismal woe.
-----
Links:
I Wept Not - Chapter 5
The William Blake Archive
The Book of Urizen, copy G
The Strange Attraction of Blake's Urizen by Kelly Kelleway
-----
1. Ages on ages roll'd over him!
In stony sleep ages roll'd over him!
Like a dark waste stretching chang'able
By earthquakes riv'n, belching sullen fires
On ages roll'd ages in ghastly
Sick torment; around him in whirlwinds
Of darkness the eternal Prophet howl'd
Beating still on his rivets of iron
Pouring sodor of iron; dividing
The horrible night into watches.
2. And Urizen (so his eternal name)
His prolific delight obscurd more & more
In dark secresy hiding in surgeing
Sulphureous fluid his phantasies.
The Eternal Prophet heavd the dark bellows,
And turn'd restless the tongs; and the hammer
Incessant beat; forging chains new & new
Numb'ring with links. hours, days & years
3. The eternal mind bounded began to roll
Eddies of wrath ceaseless round & round,
And the sulphureous foam surgeing thick
Settled, a lake, bright, & shining clear:
White as the snow on the mountains cold.
4. Forgetfulness, dumbness, necessity!
In chains of the mind locked up,
Like fetters of ice shrinking together
Disorganiz'd, rent from Eternity,
Los beat on his fetters of iron;
And heated his furnaces & pour'd
Iron sodor and sodor of brass
5. Restless turnd the immortal inchain'd
Heaving dolorous! anguish'd! unbearable
Till a roof shaggy wild inclos'd
In an orb, his fountain of thought.
6. In a horrible dreamful slumber;
Like the linked infernal chain;
A vast Spine writh'd in torment
Upon the winds; shooting pain'd
Ribs, like a bending cavern
And bones of solidness, froze
Over all his nerves of joy.
And a first Age passed over,
And a state of dismal woe.
7. From the caverns of his jointed Spine,
Down sunk with fright a red
Round globe hot burning deep
Deep down into the Abyss:
Panting: Conglobing, Trembling
Shooting out ten thousand branches
Around his solid bones.
And a second Age passed over,
And a state of dismal woe.
8. In harrowing fear rolling round;
His nervous brain shot branches
Round the branches of his heart.
On high into two little orbs
And fixed in two little caves
Hiding carefully from the wind,
His Eyes beheld the deep,
And a third Age passed over:
And a state of dismal woe.
9. The pangs of hope began,
In heavy pain striving, struggling.
Two Ears in close volutions.
From beneath his orbs of vision
Shot spiring out and petrified
As they grew. And a fourth Age passed
And a state of dismal woe.
10. In ghastly torment sick;
Hanging upon the wind;
Two Nostrils bent down to the deep.
And a fifth Age passed over;
And a state of dismal woe.
11. In ghastly torment sick;
Within his ribs bloated round,
A craving Hungry Cavern;
Thence arose his channeld Throat,
And like a red flame a Tongue
Of thirst & of hunger appeard.
And a sixth Age passed over:
And a state of dismal woe.
He threw his right Arm to the north
His left Arm to the south
Shooting out in anguish deep,
And his Feet stampd the nether Abyss
In trembling & howling & dismay.
And a seventh Age passed over:
And a state of dismal woe.
-----
Links:
I Wept Not - Chapter 5
The William Blake Archive
The Book of Urizen, copy G
The Strange Attraction of Blake's Urizen by Kelly Kelleway
-----
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